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Annie Jael Kwan

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  • HOME
  • ABOUT
  • NEWS
  • PROJECTS
    • Asia Forum
      • Asia Forum: Thinking Collectives / Collective Thinking
      • ‘A WORLD OF MANY WORLDS’ – Asia Forum at the Fondazione Querini Stampalia | 60th Venice Biennale | 2024
      • Asia Forum at the Fondazione Querini Stampalia, 23 April 2022
      • Asia Forum Fall Gathering 2021
      • Asia Forum Spring 2021
    • Asia-Art-Activism
      • Asia-Art-Activism Radio
      • Making Time / Tools to Transform
      • Till We Meet Again IRL
      • A New Season of Care
      • A Viewing Room
      • World Wide Wontons
    • 2021-2022 Noguchi Resonances
    • 2021 QueerAsias: Virtualising Cartographies
    • 2019 PASAR
    • 2016 Conditions for Performance in Cambodia
  • EVENTS, CONFERENCES & WORKSHOPS
    • 2024 Performance Besides Itself
    • 2024 Making the World More Than Less Real. Intersectional Feminisms in Curatorial Education and Criticism

    • 2024 Island Tides Initiative: Inauguration
    • 2019 Pathways of Performativity in Contemporary Art of Southeast Asia
    • 2018 Movement: Southeast Asia
    • 2017 Curating Radical Futures
    • 2017 Reframing the Archive
  • EXHIBITION & PUBLIC PROGRAMME
    • 2022 Pera+Flora+Fauna
    • 2021-2022 Future Ages Will Wonder
    • 2018 UnAuthorised Medium
  • TEXTS & PODCASTS
    • 2025 British Art Network: Festival Futures Panel
    • 2024 Looking for a Sign: Contemporary Art, Magic and Language
    • 2023 Making New Worlds: Li Yuan-Chia & Friends
    • 2022 Conversations and Convergences for Solidarity
  • CONTACT

Tag: live art

Performance Besides Itself

Symposium: Fri, 06.12. – Sat, 07.12.2024  My curatorial practice began via exploring collaboration and researching the conditions for performance, both … More

archive, art, art institutions, contemporary art, curator, Kunstraum Niederösterreich, live art, liveness, parastructures, Performance, performance art, performance making, praxis, Southeast Asia, Southeast Asia Performance Collection, Vienna

UNBOUND: Guest Editor

I was very delighted to receive the Diverse Actions Leadership Bursary recently. Alongside the resources and support, the Diverse Actions award … More

animal, architecture, art, books, critical theory, economy, extraterritorialities, live art, nature, posthuman, Research, Unbound, water

Practice-as-research: PASAR

As an independent curator and researcher, the Diverse Actions Leadership Bursary has come at a timely moment where I’m exploring … More

artist, climate change, coastal regions, Diverse Actions, live art, London, oceanic, participatory, performance art, practise-led research, Singapore, submerged lands, Venice, water, water's edge

Conditions for Performance in Cambodia: Interview with Svay Sareth

SVAY Sareth’s works in sculpture, installation and durational performance are made using materials and processes intentionally associated with war – … More

Cambodia, live art, Performance, performance art, Phnom Penh, politics, Research, residency, Siem Reap, Svay Sareth

Open Call – Southeast Asia Performance Collection Research Commission

  The research commission is for independent research to be undertaken in response to the Southeast Asia Performance Collection. The … More

artists, Cambodia, choreographic, diaspora, documentation, Indonesia, language, live art, liveness, music, performance art, Philippines, Research, Singapore, sound, Southeast Asia, Southeast Asia Performance Collection, text, TEXTS & PODCASTS, translation, video, Vietnam, voice

FLOW: Gesturing the Region

      Alongside the weekend of Frieze in London, Asia-Art-Activism held a three-day programme of activities at Raven Row. … More

archive, art, Asia, body, Cambodia, feminism, Film, live art, London, Performance, performance art, political, Singapore, USA, video, Vietnam

MAP1: Waterways

Date|Time: 9 June 2017, 10.00am-6.00pm Performance Sites: Palazzo Pisani a Santa Marina, Venice, Italy & various outdoor locations. Artists: Libita Clayton, Lynn Lu, … More

archive, Boedi Widjaja, diaspora, embodied, fluidity, Libita Clayton, live art, London, Lynn Lu, memory, migration, mobility, movement, Paul Maheke, Performance, performance art, public, Singapore, Venice, water
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