Future Ages Will Wonder



Pericles (c. 495 – 429 BC)

The exhibition is titled after an excerpt from this quote by Pericles, that serves both as a provocation and a lens through which to experience the artworks. A Greek statesman and war hero of ancient Athens during its golden age, Pericles made this bold declaration when Athens was at the height of its glory, as the site of architectural, cultural, and economic achievements, and about to venture into war with Sparta. Despite Pericles’ bravado, Athens lost the war after an unexpected pestilence wiped out almost two-thirds of its population.

This turn of events is strangely familiar. Civilisations rise and fall. Fortune turns on a trick.

We have witnessed repeatedly how scientific and technological advancements are presented with victorious narratives of geopolitical power with regards to discovery, expansion, and the domination of people, lands and resources. Advances in genetic research and engineering, such as gene editing and CRISPR, have now opened up new vistas of imagination and industry, with poetic and philosophical speculations of origins and adaptive biological possibilities. However these developments have also raised corresponding ethical issues of practice linked to the centralisation of bio-data and surveillance.

The speck, the droplet, the pixel.

The cellular contains the intimate potency for regeneration as a source of biological life, as well as viral contagion with planetary impact. We have seen how laboratory spillages and ecological imbalances have possibly resulted in the worldwide unfolding of the Covid-19 pandemic, and its impact on socio-political structures, health care systems, local communities and the intensification of digitalised life.

The long scope of history reveals its many twists and turns. The view through the lens of wonder is multiperspectival – not only to feel curiosity, astonishment, or even admiration, but also to doubt and question. It is in the act of questioning that perhaps we find the possibility of fairer, more equitable futures.

To wonder, thus, is to dig into the bedrocks of institutionalised and common knowledge, including the myths of science, profit, and progress, and to interrogate the normalised structures of violence and inequality.

To wonder is to arise from the scorched earth, and spark anew the wayfinding of lost ancestral pathways, the nurturing of alternative kinship networks, and the reimagining of stories we tell ourselves, about our past, present, and future selves.

Two millennia after the war-hero Pericles, Ruth Bader Ginsburg (feminist judge of the Supreme Court of the United States, and a very different type of political leader), challenged instead that “dissents speak to a future age…that’s the dissenter’s hope: that they are writing not for today but for tomorrow.”

Featuring 9 UK and international artists working across multiple disciplines and media of textile, embroidery, found and sculpted objects, algorithm, creative design, print, photography, moving image, augmented reality, and installation, the exhibition presents a showcase of diverse, thoughtful and provocative artistic ‘wonders’.

Larry Achiampong and David Blandy
Yarli Allison
Miku Aoki
Trisha Baga
Breakwater (Youngsook Choi and Taey Iohe)
Ai Hasegawa
Boedi Widjaja


Yarli Allison, Still from In 1875 We Met At the Docks of Liverpool 於梨花埠遇上 (2021)

Feature image: Larry Achiampong & David Blandy, Still from Dust to Data (2021)