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Annie Jael Kwan

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  • ABOUT
  • NEWS
  • PROJECTS
    • Asia Forum
      • Asia Forum: Thinking Collectives / Collective Thinking
      • ‘A WORLD OF MANY WORLDS’ – Asia Forum at the Fondazione Querini Stampalia | 60th Venice Biennale | 2024
      • Asia Forum at the Fondazione Querini Stampalia, 23 April 2022
      • Asia Forum Fall Gathering 2021
      • Asia Forum Spring 2021
    • Asia-Art-Activism
      • Asia-Art-Activism Radio
      • Making Time / Tools to Transform
      • Till We Meet Again IRL
      • A New Season of Care
      • A Viewing Room
      • World Wide Wontons
    • 2021-2022 Noguchi Resonances
    • 2021 QueerAsias: Virtualising Cartographies
    • 2019 PASAR
    • 2016 Conditions for Performance in Cambodia
  • EVENTS, CONFERENCES & WORKSHOPS
    • 2024 Performance Besides Itself
    • 2024 Making the World More Than Less Real. Intersectional Feminisms in Curatorial Education and Criticism

    • 2024 Island Tides Initiative: Inauguration
    • 2019 Pathways of Performativity in Contemporary Art of Southeast Asia
    • 2018 Movement: Southeast Asia
    • 2017 Curating Radical Futures
    • 2017 Reframing the Archive
  • EXHIBITION & PUBLIC PROGRAMME
    • 2022 Pera+Flora+Fauna
    • 2021-2022 Future Ages Will Wonder
    • 2018 UnAuthorised Medium
  • TEXTS & PODCASTS
    • 2025 British Art Network: Festival Futures Panel
    • 2024 Looking for a Sign: Contemporary Art, Magic and Language
    • 2023 Making New Worlds: Li Yuan-Chia & Friends
    • 2022 Conversations and Convergences for Solidarity
  • CONTACT

Conditions for Performance in Cambodia: Interview with Bo Rithy

Born 1989, in Kampuchea Krom, South Vietnam. Bo Rithy was a student at Phare Ponleu Selpak for ten years before…

art, Asia, Battambang, Bo Rithy, Cambodia, live painting, Performance, Phare Ponleu Selpak, public, Southeast Asia, visual arts

Conditions for Performance in Cambodia: Interview with Amy Lee Sanford

Amy Lee Sanford is a sculptor whose work explores the relationship between trauma and healing. Born in Phnom Penh, Cambodia…

Amy Lee Sanford, archive, art, artist, Asia, Cambodia, diaspora, histories, Java Arts, Performance, performance art, Phnom Penh, Southeast Asia

Movement: Southeast Asia 22 September 2017

Movement Southeast Asia_Programme SaveSave SaveSave

diaspora, direction, histories, identity, memory, migration, mobility, movement, political, refugees, resilience, rupture, SOAS, social studies, Southeast Asia, transfer, transmission

Movement: Southeast Asia

I’m pleased to be part of the postgraduate organising committee for the first postgraduate conference at SOAS that focuses on Southeast…

art, Asia, Conference, migration, mobility, political, Southeast Asia

History Lessons: Fluid Records

Live programme curated by Annie Jael Kwan in association with Something Human and Iniva, followed by Q&A

archive, art, artist, histories, Larry Achiampong, Libita Clayton, memory, migration, mobility, movement, Performance, public, South London Gallery, water

Trailer – By the Time It Gets Dark

Anocha Suwichakornpong, archive, cinema, Film, political, Thailand, video

Trailer – Golden Slumbers

Registration here

Anti-Archive, archive, Cambodia, cinema, Davy Chou, Film, Southeast Asia, video

Reframing the Archive: Conference & Screening Schedule – Registration open!

Conference and screening programme released. Registration open!

Anocha Suwichakornpong, archive, Cambodia, cinema, Conference, Davy Chou, Erika Tan, Film, Laos, May Adadol Ingawanij, Nguyen Trinh Thi, political, screening, Southeast Asia, Thailand, video, Vietnam

MAP1: Waterways

Date|Time: 9 June 2017, 10.00am-6.00pm Performance Sites: Palazzo Pisani a Santa Marina, Venice, Italy & various outdoor locations. Artists: Libita Clayton, Lynn Lu,…

archive, Boedi Widjaja, diaspora, embodied, fluidity, Libita Clayton, live art, London, Lynn Lu, memory, migration, mobility, movement, Paul Maheke, Performance, performance art, public, Singapore, Venice, water

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