Born June 1985, Battambang Graduated 2007 from Phare Ponleu Selpak — Annie: What is your background and training in … More
Category: TEXTS & PODCASTS
Territories Disrupted: Asian Art after 1989
A four-part report on this symposium, which explored Asian art after 1989 with a focus on how political and economic … More
Conditions for Performance in Cambodia: Interview with Anida Yoeu Ali
Anida Yoeu Ali (b.1974, Battambang) is an artist whose works span performance, installation, public encounters, and political agitation. … More
Conditions for Performance in Cambodia: Interview with Reaksmey Yean
A native of Battambang, Reaksmey Yean is a self-proclaimed art advocate, an early-career art curator and researcher, and an Alphawood … More
Conditions for Performance in Cambodia: Interview with Bo Rithy
Born 1989, in Kampuchea Krom, South Vietnam. Bo Rithy was a student at Phare Ponleu Selpak for ten years before … More
Conditions for Performance in Cambodia: Interview with Amy Lee Sanford
Amy Lee Sanford is a sculptor whose work explores the relationship between trauma and healing. Born in Phnom Penh, Cambodia … More
Art Asia Pacific: Artist and Empire- (En)countering Colonial Legacies
First presented in 2015 at Tate Britain under the title “Artist and Empire: Facing Britain’s Imperial Past” the show’s October 2016 debut at the National Gallery Singapore (NGS), entitled “Artist and Empire: (En)countering Colonial Legacies” is curated by the local team comprised of Low Sze Wee, Melinda Susanto and Toffa Abdul Wahed, marking the NGS’s second international collaboration (the first was with Paris’s Centre Pompidou).
Event Report: Annie Jael Kwan on A Stitch in Time? Situating David Medalla’s ‘Participation-Performance’ between British and Philippine Performance Art History
This report, commissioned by the Tate Research Centre: Asia, is a summary of a panel organised by Eva Bentcheva, independent art historian and curator, at Tate Modern on 21 November 2016. Entitled A Stitch in Time? Situating David Medalla’s ‘Participation-Production Performances’ between British and Philippine Performance Art History, this panel formed part of Contact Points: a seminar in which participants in the 2016 Tate Research Centre: Asia Visiting Fellowship Programme presented their research projects.
Art Asia Pacific: Brothers in Art
I first saw the Le Brothers’s large-scale three-channel video projection installation Into the Sea (2011) at the 2013 Singapore Biennale. The video featured the identical male twins in a series of beautifully filmed scenes set against the languid backdrop of the ocean. On one screen, the long-haired shirtless pair dig into the sand on a beach, and one buries the other in the sand.